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Movies Review |
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SAAMY |
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STARRING :
Vikram,
Trisha |
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DIRECTION :
Hari |
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PRODUCTION :
Kavithalaya |
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MUSIC :
HARRIS JAYARAJ |
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Finally Vikram too has succumbed to the superstar image trap
with Saamy, which is a typical masala concoction serving all
the nine rasas. You can call it a sort of a sequel to Dhool.
Though not so racy or fast moving but is sufficiently
entertaining. Obviously designed to showcase Vikram`s
new-found action image, it seems to be working to a certain
extent.
Vikram plays Arusaamy, the tough as nail Deputy Police Commissoner
of Tirunelveli. His mission statement, to clean up the city
of the scum of the earth. Seeing his macho looks and brave
heart, Bhuvana [Trisha] a brahmin girl falls for him. While
romancing this college girl Arusaamy is initially shown
accepting bribes from the Godfather who controls all the
illegal activities in town Annachi [Telugu actor Kota
Srinivasa Rao]. Later in a flashback it is told that our
Hero is the son of a honest to goodness farmer from Palani,
but was framed up in a false case by his enemies. Since then
he has been taking bribes , but accounting and remitting the
money to the government or helping the poor.
Soon Arusaamy rubs Annachi the wrong way, as he
systamatically targets his illegal activities and the Don is
on the run. The cop`s father dies in a bomb blast and he
goes all out to get Annachi who is protected by some corrupt
politicians and officials. This leads to a bloody climax,
and Saamy finally manages to roast his arch foe in a brick
kiln.
The patchy storyline merely serves as a pretext to spark off
several skirmishes and bombastic dialouges. Ultimately it is
Vikram who dominates this action movie. In fact he is the
mainstay of the picture. Trisha is appealingly sensual and
looks glamarous as the brahmin girl Bhuvana and brings out
the nuance of her character well. Vivek`s brahmin baiting
comedy track is increasingly getting steriotyped. Kota as
the villain is effective. Harris Jayaraj`s music looks like
left overs of his earlier tunes. Director Hari packs in a
sting, but Saamy is strictly for the no holds barred action
addicts.
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BOYS |
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STARRING :
Siddarth,
Nakul,
Manikandan, Bharath, Sai & Harini |
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DIRECTION :
Shankar |
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PRODUCTION :
A.M.Rathnam |
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MUSIC
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A.R.RAHMAN |

True to the hype, his latest film, BOYS, is a
youthful musical entertainer. Trendy, urban youth
flick. It's the tested sentiments that click and not the
pre-publicity hype of about techno-graphics,
virgin-foreign locales, and camerawork.
The first half of the film is amalgam of so many teeny flicks
that have flooded Indian theatres recently. The second
half of the film gathers momentum and its logical
conclusion is amazing. In fact the film is heavily
inspired by flicks like FAST FORWARD (Hollywood), CHITRAM
(TELUGU) and THULLLAVATHO ILLAMI (TAMIL), but director
Shanker has finally concentrated on showing the
tribulations of success and failures. Precisely, this
worked for the film. The lewd jokes, MTV-style camera
angles all are passe.
Five teenage youngsters- Munna (Siddharth), Bob Galy (Bharath),
Juju (Nakul), Kumar (Manikandan) and Krishna (Sai Srinivas)
coming from different segments of the society are good
friends. They have common pastimes: thinking about girls
and 'aunties'. They fall in love with Harini (Genelina
D'souza) but she doesn't believe in love. Finally, she
accepts Siddharth's love. When their parents come to know
these guys' mischief attitude, they restrict them meeting
each other. Munna and Harini elope and get married. Then
starts the real drama. They start a musical band in order
to establish that can independently live without their
parent's support. The rest of the film is how they make
it.
All the debutant boys and girl (Genelina) have
done good job. They are very natural in their acting.
Siddharth and Genelina (who had acted in THUJHE MERI KASAM)
have bright future. Rehman's trendy and modern music is
major asset. All the songs are good.
Ravi K. Chandran's camera work is splendid. But
the much-hyped time-freeze technique doesn't make any
effect. Even the computer generated 'girl friend' is
awful. It should have been deleted in editing. Shanker's
screenplay, particularly in the second half of the film,
makes a lot of difference otherwise it would have fallen
into the regular teeny flick genre. He really knows
audiences' emotional buttons. The film will go well with
urban youth.
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THIRUDA THIRUDI |
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STARRING :
Dhanush,
Saya Singh |
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DIRECTION :
Subramaniam Siva |
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PRODUCTION :
S.K.Krishnakanth |
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MUSIC
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DHINA |

In Thiruda Thirudi, Dhanush, who is on a high following
the success of Thulluvatho Illamai and Kadhal Kondein,
seems to have shed his image of a adolescent youth and has
played the role of a romantic hero.
Directed by Subramaniam Siva and produced by
Krishnakanth, the movie revolves around two - Dhanush and
a new comer Saya Singh.
The movie begins at Srirangam, where Dhanush and Saya
Singh come across each other and often quarrel. Meanwhile,
worried about Dhanush freaking out with his friends (Karunas
and co), his father sends him to Chennai for work.
Incidentally, Saya Singh comes and settles in the same
apartment where Dhanush resides. They lock horns with one
another again.
Thanks to his hard work and determination, Dhanush wins
the admiration of his father, who comes to Chennai to see
him. Finally, Saya Singh and Dhanush realise that both
have actually fallen in love and the rest is how the two
convey their love and get married.
The movie moves at a brisk pace interspersed with
good humour thanks to the encounters of Dhanush and
Karunas in Tiruchi. Five Star fame Krishna plays the role
of Dhanush's brother and seems to have played his role to
perfection.
Dhanush who has proved his acting credentials in
his first two films seems to get stronger in Thiruda
Thirudi. He looks at his best in dance and stunt
sequences.
Sukhi roped in for glamour does nothing but
appear for a peppy number and a few scenes. Karunas has at
last succeeded in evoking laughter.
Noted playback singer Manickam Vinayagam,
who has acted as Dhanush's father has justified his
selection.
Music director Dhina deserves special
mention for his peppy numbers. Especially Manmadharasa and
Vandar Kuzhali are foot-tapping. Unfortunately, Dhina has
been a letdown in terms of re-recording, where he seems to
have experimented with new sounds.
All in all, director Subramaniam Siva deserves
special mention for giving a thorough entertainer which is
sure to attract youngsters to theatres.
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