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Movies Review
   
SAAMY  
 STARRING       : Vikram, Trisha
 DIRECTION     : Hari
 PRODUCTION : Kavithalaya
 MUSIC               : HARRIS JAYARAJ

   
  
   
    Finally Vikram too has succumbed to the superstar image trap with Saamy, which is a typical masala concoction serving all the nine rasas. You can call it a sort of a sequel to Dhool. Though not so racy or fast moving but is sufficiently entertaining. Obviously designed to showcase Vikram`s new-found action image, it seems to be working to a certain extent.

   Vikram plays Arusaamy, the tough as nail Deputy Police Commissoner of Tirunelveli. His mission statement, to clean up the city of the scum of the earth. Seeing his macho looks and brave heart, Bhuvana [Trisha] a brahmin girl falls for him. While romancing this college girl Arusaamy is initially shown accepting bribes from the Godfather who controls all the illegal activities in town Annachi [Telugu actor Kota Srinivasa Rao]. Later in a flashback it is told that our Hero is the son of a honest to goodness farmer from Palani, but was framed up in a false case by his enemies. Since then he has been taking bribes , but accounting and remitting the money to the government or helping the poor.
Soon Arusaamy rubs Annachi the wrong way, as he systamatically targets his illegal activities and the Don is on the run. The cop`s father dies in a bomb blast and he goes all out to get Annachi who is protected by some corrupt politicians and officials. This leads to a bloody climax, and Saamy finally manages to roast his arch foe in a brick kiln.
   The patchy storyline merely serves as a pretext to spark off several skirmishes and bombastic dialouges. Ultimately it is Vikram who dominates this action movie. In fact he is the mainstay of the picture. Trisha is appealingly sensual and looks glamarous as the brahmin girl Bhuvana and brings out the nuance of her character well. Vivek`s brahmin baiting comedy track is increasingly getting steriotyped. Kota as the villain is effective. Harris Jayaraj`s music looks like left overs of his earlier tunes. Director Hari packs in a sting, but Saamy is strictly for the no holds barred action addicts.

 


BOYS  
 STARRING      : Siddarth, Nakul,
 Manikandan, Bharath, Sai & Harini
 DIRECTION     : Shankar
 PRODUCTION : A.M.Rathnam
 MUSIC               : A.R.RAHMAN
   
  

   
     True to the hype, his latest film, BOYS, is a youthful musical entertainer. Trendy, urban youth flick. It's the tested sentiments that click and not the pre-publicity hype of about techno-graphics, virgin-foreign locales, and camerawork.
    The first half of the film is amalgam of so many teeny flicks that have flooded Indian theatres recently. The second half of the film gathers momentum and its logical conclusion is amazing. In fact the film is heavily inspired by flicks like FAST FORWARD (Hollywood), CHITRAM (TELUGU) and THULLLAVATHO ILLAMI (TAMIL), but director Shanker has finally concentrated on showing the tribulations of success and failures. Precisely, this worked for the film. The lewd jokes, MTV-style camera angles all are passe.
    Five teenage youngsters- Munna (Siddharth), Bob Galy (Bharath), Juju (Nakul), Kumar (Manikandan) and Krishna (Sai Srinivas) coming from different segments of the society are good friends. They have common pastimes: thinking about girls and 'aunties'. They fall in love with Harini (Genelina D'souza) but she doesn't believe in love. Finally, she accepts Siddharth's love. When their parents come to know these guys' mischief attitude, they restrict them meeting each other. Munna and Harini elope and get married. Then starts the real drama. They start a musical band in order to establish that can independently live without their parent's support. The rest of the film is how they make it.
      All the debutant boys and girl (Genelina) have done good job. They are very natural in their acting. Siddharth and Genelina (who had acted in THUJHE MERI KASAM) have bright future. Rehman's trendy and modern music is major asset. All the songs are good.
      Ravi K. Chandran's camera work is splendid. But the much-hyped time-freeze technique doesn't make any effect. Even the computer generated 'girl friend' is awful. It should have been deleted in editing. Shanker's screenplay, particularly in the second half of the film, makes a lot of difference otherwise it would have fallen into the regular teeny flick genre. He really knows audiences' emotional buttons. The film will go well with urban youth.
 

THIRUDA THIRUDI  
 STARRING       : Dhanush, Saya Singh
 DIRECTION     : Subramaniam Siva
 PRODUCTION : S.K.Krishnakanth
 MUSIC               : DHINA
    
  

     In Thiruda Thirudi, Dhanush, who is on a high following the success of Thulluvatho Illamai and Kadhal Kondein, seems to have shed his image of a adolescent youth and has played the role of a romantic hero.

      Directed by Subramaniam Siva and produced by Krishnakanth, the movie revolves around two - Dhanush and a new comer Saya Singh.
     The movie begins at Srirangam, where Dhanush and Saya Singh come across each other and often quarrel. Meanwhile, worried about Dhanush freaking out with his friends (Karunas and co), his father sends him to Chennai for work.
     Incidentally, Saya Singh comes and settles in the same apartment where Dhanush resides. They lock horns with one another again.
     Thanks to his hard work and determination, Dhanush wins the admiration of his father, who comes to Chennai to see him. Finally, Saya Singh and Dhanush realise that both have actually fallen in love and the rest is how the two convey their love and get married.
      The movie moves at a brisk pace interspersed with good humour thanks to the encounters of Dhanush and Karunas in Tiruchi. Five Star fame Krishna plays the role of Dhanush's brother and seems to have played his role to perfection.
      Dhanush who has proved his acting credentials in his first two films seems to get stronger in Thiruda Thirudi. He looks at his best in dance and stunt sequences.
      Sukhi roped in for glamour does nothing but appear for a peppy number and a few scenes. Karunas has at last succeeded in evoking laughter.
       Noted playback singer Manickam Vinayagam, who has acted as Dhanush's father has justified his selection.
       Music director Dhina deserves special mention for his peppy numbers. Especially Manmadharasa and Vandar Kuzhali are foot-tapping. Unfortunately, Dhina has been a letdown in terms of re-recording, where he seems to have experimented with new sounds.
      All in all, director Subramaniam Siva deserves special mention for giving a thorough entertainer which is sure to attract youngsters to theatres.
 


 
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